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Azrin Fauzi, fiksyenis dua kumpulan cerpen: Urban dan Metaskandal. Juga menulis esei sekitar seni, sastera, sinema, dan senibina yang tersiar dalam beberapa media: Dewan Sastera, SelangorKini, Kerja Tangan, ArtsEquator, etsetera etsetera. Pengasas bersama dan editor KL Reviu, zine esei yang diterbitkan atas inisiatif Punggok Agency; seputar hal-hal tak terduga di sekitar kota. Kini sepenuh masa merinci ruang dan struktur di tapak konstruksi.

Nurul Aizam co-founded and runs Moka Mocha Ink, a Malaysian independent publishing house. The editor for Teater Modular Box Set, a publication consisting 13 playlets (to be published in 2019). Part of a team of researchers for LiteraCity and the editor for its publication comprising interviews with local literary figures, essays and a photo essay: LiteraCity: Kuala Lumpur Literary Fragments (2016). Recently started producing for Ensembel Teater Kaos Nol with Teater Normcore: Stereo Genmai (2018).

Ridhwan Saidi is a Malaysian novelist, playwright and theatremaker. Co-founded indie publishing house, Moka Mocha Ink which focuses on contemporary Malay fiction and drama. He is also part of LiteraCity, a literary mapping project of Kuala Lumpur. Ridhwan was selected for a residency programme at the ASEAN Literary Festival 2016 and was invited to the Makassar International Writers Festival 2017 and George Town Literary Festival 2018. His series of short plays Teater Modular, consisting 13 offbeat playlets have been described as ‘politics, sex and religion existing in harmony’ and ‘absurd and weirdly sexy’. Teater Normcore is his series of full length plays that intent to illuminate poetry and heightened appreciation towards deadpan humour.

Hannan Barakbah seorang manager kafe hipster dan graduan senibina yang sedang bertugas sebagai pembantu kajian di Universiti Malaya. Debut pengarahannya adalah mengarah playlet Kurator Dapur tulisan Ridhwan Saidi di dalam Teater Modular [set 3] pada 2018. Tahun ini terlibat dengan Are You Game Sau(dara)? anjuran Five Arts Centre dan Centre 42 (Singapura) di dalam piece arahan Fasyali Fadzly. Selain itu turut terlibat dengan TIGA 3 di Penang juga anjuran Five Arts Centre. Hannan terlatih dalam program T4YP (alumni 2017) anjuran The Actors Studio.

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PESTA PLAYLET is an artist-run non-profit that provides common ground for performance-based initiatives through community building, research, workshops, discourse, and publications. Consist of playwriting and directing workshops, forums involving artists ranging from theater-makers and performance-makers to short filmmakers and short story writers, a playlet reading showcase, a testing ground for local new works, lecture-performance, projection of past documented theatre works, and a found object exhibition.

CURATORIAL ATTITUDE
Usaha pembentukan sebuah pesta, seperti teater dan menonton filem secara berjemaah, adalah untuk mewujudkan sebuah komuniti sementara yang transien. Seperti kabus di waktu fajar, ia datang seperti mimpi. Kita alami sesuatu di antara sedar dan tidak sedar. Sekumpulan manusia berkumpul di satu lokasi secara fizikal (kerana kita hidup di era digital) dan kemudian berpisah untuk menyambung kehidupan masing-masing. Di dalam ruang pertemuan yang singkat itu, semoga monolog-monolog di dalam kepala setiap insan yang datang, bertemu menjadi dialog-dialog yang aktif. Pertukaran fikirasa berlaku.